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Example Thirteen |
... and you can float them back
down. We've lowered the bottom note of the voicings so that each contains roots
from two dominant substitutions.
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Example Fourteen |
Let's put Barry's voicing ideas
from Example 10 to work in a ii7-V7-IM7-VI7 progression. |
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Example Fifteen |
Continuing in the manner of Example
14, we have the ii7-V7-I7-VI7 progression with the dominants voiced differently.
Practice these voicings in different inversions. |
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Examples
1,2,3 :: 4,5,6
:: 7,8,9 :: 10,11,12 :: 13,14,15
16,17,18 :: 19,20,21
:: 22,23,24 :: 25,26,27 ::
28,29 |
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