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Acknowledgements
Introduction
Foreword by Barry Harris
Part 1: Singers are Rhythm Instruments First
Foreword
'+'s or Upbeats
'6'
“Never Let Me Go” by J. Livingston & R. Evans
“Dearly Beloved”
by J. Kern/J. Mercer
Part 2: Warm-ups & Scales
Foreword
The Bb Major Arpeggio
Intervals on The Bb Major Scale
The Bb Minor Arpeggio
The Bb Harmonic Minor Scale
The Bb Whole Tone Scale
“You
Go To My Head” (excerpt) by J. Cotts, and Whole Tone
Scale Application
“A Beautiful Friendship” (excerpt) by D. Kahn & S. Styne
Whole Tone Scale Applications to “A Beautiful Friendship”
“'SWonderful” (excerpt) by G. & I. Gershwin
Diminished Chord Applications to “'SWonderful”
The Bb Major, Augmented, Minor & Diminished Triads
The Bb Major, Augmented, Minor & Diminished Arpeggios
Part 3: Putting the Scales to Work
Foreword
“I Understand” by K. Gannon/M. Wayne
The
Diminished Scale Applied as an Ending to “I Understand”
The
B Diminished Chord Applied as an Ending to “I Understand”
The
Whole Tone Scale Applied as an Ending to “I Understand”
The
Chromatic Scale Applied as an Ending to “I Understand”
Augmented
Arpeggios Applied as an Ending to “I Understand”
Part 4: Rubato - 'out
of time'
Foreword
"Lush Life”
(verse) by B. Strayhorn
Part 5: Suggesting the Harmony
Foreword
Combine
a Melodic Phrase and a Scale to Outline the Harmony
“When Sunny Gets Blue” (excerpt) by Fisher & Segal
II
minor7 Moving to the IV minor7 in 'W. S. G. B.'
'I Will Not Change The Song'
“Here's
That Rainy Day” by J. van Heusen & J. Burke
'Turnback'
or 'Turnaround' Ideas Applied to 'H.T.R.D.'
'2-4-3'
Applied to “Here's That Rainy Day”
“Time Was” (excerpt) by M. Prado
Barry's
Solo on the 1st Half of “Time Was”
'Turnbacks'
in the Key of G
'Turnbacks'
Applied as Endings
Appendix A: About Barry Harris
Appendix B: About Jazzworkshop Productions
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